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natural and ineradicable sulkiness, from under his eyebrows at the man whom
he wants to honour, asks whether he would condescend to visit the place of
sitting down and take food. Or perhaps he would prefer to give himself up
to repose? The house is his, and what is in it, and those many men that
stand afar watching the interview are his.
Syed Abdulla presses his host's hand to his breast, and informs him in a
confidential murmur that his habits are ascetic and his temperament inclines
to melancholy. No rest; no food; no use whatever for those many men who
are his. Syed Abdulla is impatient to be gone. Lakamba is sorrowful but
polite, in his hesitating, gloomy way. Tuan Abdulla must have fresh
boatmen, and many, to shorten the dark and fatiguing road.
Haiya! There! Boats!
By the riverside indistinct forms leap into a noisy and disorderly activity.
There are cries, orders, banter, abuse. Torches blaze sending out much more
smoke than light, and in their red glare Babalatchi comes up to say that the
boats are ready.
Through that lurid glare Syed Abdulla, in his long white gown, seems to glide
fantastically, like a dignified apparition attended by two inferior shades,
and stands for a moment at the landingplace to take leave of his host and
allywhom he loves. Syed Abdulla says so distinctly before embarking, and
takes his seat in the middle of the canoe under a small canopy of blue
calico stretched on four sticks. Before and behind Syed
Abdulla, the men squatting by the gunwales hold high the blades of their
paddles in readiness for a dip, all together. Ready? Not yet. Hold on all!
Syed Abdulla speaks again, while Lakamba and Babalatchi stand close on the
bank to hear his words. His words are encouraging. Before the sun rises
for the second time they shall meet, and Syed Abdulla's ship shall float on
the waters of this riverat last! Lakamba and Babalatchi have no doubtif
Allah wills. They are in the hands of the Compassionate. No doubt. And so
is Syed Abdulla, the great trader who does not know what the word failure
means; and so is the white manthe smartest business man in the islandswho is
lying now by Omar's fire with his head on Aissa's lap, while Syed Abdulla
flies down the muddy river with current and paddles between the sombre walls
of the sleeping forest; on his way to the clear and open sea where the Lord
of the Isles (formerly of Greenock, but condemned, sold, and registered now
as of Penang) waits for its owner, and swings erratically at anchor in the
currents of the capricious tide, under the crumbling red cliffs of Tanjong
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Mirrah.
For some time Lakamba, Sahamin, and Bahassoen looked silently into the humid
darkness which had swallowed the big canoe that carried Abdulla and his
unvarying good fortune. Then the two guests broke into a talk expressive of
their joyful anticipations. The venerable Sahamin, as became his advanced
age, found his
An Outcast of the Islands
CHAPTER FIVE
59
delight in speculation as to the activities of a rather remote future. He
would buy praus, he would send expeditions up the river, he would enlarge
his trade, and, backed by Abdulla's capital, he would grow rich in a very
few years. Very few. Meantime it would be a good thing to interview Almayer
tomorrow and, profiting by the last day of the hated man's prosperity,
obtain some goods from him on credit. Sahamin thought it could be done by
skilful wheedling. After all, that son of Satan was a fool, and the thing
was worth doing, because the coming revolution would wipe all debts out.
Sahamin did not mind imparting that idea to his companions, with much senile
chuckling, while they strolled together from the riverside towards the
residence. The bullnecked Lakamba, listening with pouted lips without the
sign of a smile, without a gleam in his dull, bloodshot eyes, shuffled
slowly across the courtyard between his two guests. But suddenly
Bahassoen broke in upon the old man's prattle with the generous enthusiasm
of his youth. . . . Trading was very good. But was the change that would
make them happy effected yet? The white man should be despoiled with a
strong hand! . . . He grew excited, spoke very loud, and his further
discourse, delivered with his hand on the hilt of his sword, dealt
incoherently with the honourable topics of throatcutting, fireraising, and
with the farfamed valour of his ancestors.
Babalatchi remained behind, alone with the greatness of his conceptions. The
sagacious statesman of Sambir sent a scornful glance after his noble
protector and his noble protector's friends, and then stood meditating about
that future which to the others seemed so assured. Not so to Babalatchi,
who paid the penalty of his wisdom by a vague sense of insecurity that kept
sleep at arm's length from his tired body. When he thought at last of
leaving the waterside, it was only to strike a path for himself and to creep
along the fences, avoiding the middle of the courtyard where small fires
glimmered and winked as though the sinister darkness there had reflected the
stars of the serene heaven. He slunk past the wicketgate of Omar's
enclosure, and crept on patiently along the light bamboo palisade till he
was stopped by the angle where it joined the heavy stockade of Lakamba's
private ground. Standing there, he could look over the fence and see Omar's
hut and the fire before its door. He could also see the shadow of two human
beings sitting between him and the red glow. A
man and a woman. The sight seemed to inspire the careworn sage with a
frivolous desire to sing. It could hardly be called a song; it was more in
the nature of a recitative without any rhythm, delivered rapidly but
distinctly in a croaking and unsteady voice; and if Babalatchi considered it
a song, then it was a song with a purpose and, perhaps for that reason,
artistically defective. It had all the imperfections of unskilful
improvisation and its subject was gruesome. It told a tale of shipwreck and
of thirst, and of one brother killing another for the sake of a gourd of
water. A repulsive story which might have had a purpose but possessed no
moral whatever. Yet it must have pleased Babalatchi for he repeated it
twice, the second time even in louder tones than at first, causing a
disturbance amongst the white ricebirds and the wild fruitpigeons which
roosted on the boughs of the big tree growing in Omar's compound. There was
in the thick foliage above the singer's head a confused beating of wings,
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sleepy remarks in birdlanguage, a sharp stir of leaves. The forms by the
fire moved; the shadow of the woman altered its shape, and Babalatchi's song
was cut short abruptly by a fit of soft and persistent coughing. He did not
try to resume his efforts after that interruption, but went away stealthily
to seekif not sleepthen, at least, repose.
CHAPTER SIX [ Pobierz całość w formacie PDF ]
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