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West German electronics conglomerate. I tried to tell her. I said, "Please, you're dead. Forgive
us, we came to try to help, Hiro and I. Understand? He knows you, see, Hiro, he's here in my head.
He's read your dossier, your sexual profile, your favorite colors; he knows your childhood fears,
first lover, name of a teacher you liked. And I've got just the right pheromones and I'm a walking
arsenal of drugs, something here you're bound to like. And we can lie, Hiro and I; we're ace
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liars. Please. You've got to see. Perfect strangers, but Hiro and I, for you, we make up the
perfect stranger, Leni."
She was a small woman, blond, her smooth, straight hair streaked with premature gray. I touched
her hair, once, and went out into the clearing. As I stood there, the long grass shuddered, the
wildflowers began to shake, and we began our descent, the boat centered on its landscaped round of
elevator. The clearing slid down out of Heaven, and the sunlight was lost in the glare of huge
vapor arcs that threw hard shadows across the broad deck of the air lock. Figures in red suits,
running. A red Dinky Toy did a U-turn on fat rubber wheels, getting out of our way. Nevsky, the
KGB surfer, was waiting at the foot of the gangway that they wheeled to the edge of the clearing.
I didn't see him until I reached the bottom.
"I must take the drugs now, Mr. Halpert." I stood there, swaying, blinking tears from my eyes. He
reached out to steady me. I wondered whether he even knew why he was down here in the lock deck, a
yellow suit in red territory. But he probably didn't mind; he didn't seem to mind anything very
much; he had his clipboard ready.
"I must take them, Mr. Halpert." I stripped out of the suit, bundled it, and handed it to him. He
stuffed it into a plastic Ziploc, put the Ziploc in a case manacled to his left wrist, and spun
the combination.
"Don't take them all at once, kid," I said. Then I fainted.
Late that night Charmian brought a special kind of darkness down to my cubicle, individual doses
sealed in heavy foil. It was nothing like the darkness of Big Night, that sentient, hunting dark
that waits to drag the hitchhikers down to Wards, that dark that incubates the Fear. It was a
darkness like the shadows moving in the back seat of your parents' car, on a rainy night when
you're five years old, warm and secure. Charmian's a lot slicker that I am when it comes to
getting past the clipboard tickers, the ones like Nevsky. I didn't ask her why she was back from
Heaven, or what had happened to Jorge. She didn't ask me anything about Leni.
Hiro was gone, off the air entirely. I'd seen him at the debriefing that afternoon; as usual, our
eyes didn't meet. It didn't matter. I knew he'd be back. It had been business as usual, really. A
bad day in Heaven, but it's never easy. It's hard when you feel the Fear for the first time, but
I've always known it was there, waiting. They talked about Leni's diagrams and about her ballpoint
sketches of molecular chains that shift on command. Molecules that can function as switches, logic
elements, even a kind of wiring, built up in layers into a single very large molecule, a very
small computer. We'll probably never know what she met out there; we'll probably never know the
details of the transaction. We might be sorry if we ever found out. We aren't the only hinterland
tribe, the only ones looking for scraps.
Damn Leni, damn that Frenchman, damn all the ones who bring things home, who bring cancer cures,
seashells, things without names who keep us here waiting, who fill Wards, who bring us the Fear.
But cling to this dark, warm and close, to Charmian's slow breathing, to the rhythm of the sea.
You get high enough out here; you'll hear the sea, deep down behind the constant conch-shell
static of the bonephone. It's something we carry with us, no matter how far from home.
Charmian stirred beside me, muttered a stranger's name, the name of some broken traveler long gone
down to Wards. She holds the current record; she kept a man alive for two weeks, until he put his
eyes out with his thumbs. She screamed all the way down, broke her nails on the elevator's plastic
lid. Then they sedated her.
We both have the drive, though, that special need, that freak dynamic that lets us keep going back
to Heaven. We both got it the same way, lay out there in our little boats for weeks, waiting for
the Highway to take us. And when our last flare was gone, we were hauled back here by tugs. Some
people just aren't taken, and nobody knows why. And you'll never get a second chance. They say
it's too expensive, but what they really mean, as they eye the bandages on your wrists, is that
now you're too valuable, too much use to them as a potential surrogate. Don't worry about the
suicide attempt, they'll tell you; happens all the time. Perfectly understandable: feeling of
profound rejection. But I'd wanted to go, wanted it so bad. Charmian, too. She tried with pills.
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But they worked on us, twisted us a little, aligned our drives, planted the bonephones, paired us
with handlers.
Olga must have known, must have seen it all, somehow she was trying to keep us from finding our
way out there, where she'd been. She knew that if we found her, we'd have to go. Even now, knowing
what I know, I still want to go. I never will. But we can swing here in this dark that towers way
above us, Charmian's hand in mind. Between our palms the drug's torn foil wrapper. And Saint Olga
smiles out at us from the walls; you can feel her, all those prints from the same publicity shot,
torn and taped across the walls of night, her white smile, forever.
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